In a recent Pitchfork Media review:
” I’d hate to confuse correlation with causation, but the 18 months since Hip Hop Is Dead have gone a long way towards proving Nas wrong. Graduation and Tha Carter III showed that challenging mainstream artists can still produce genuine Billboard blockbusters, the avant-garde has been well-represented by stellar releases by Dälek, Subtle, and El-P (amongst others), and Jay Electronica (producer of the astounding intro “Queens Get the Money”) and Wale have emerged as exciting new voices with promising commercial prospects.”
http://www.pitchforkmedia.com/article/record_review/142144-nas-untitled
So maybe Nas knew what he was doing?
Although credit must be given to the artists who have produced this new direction of hip-hop, the likes of Lil Wayne & Kanye West, but the underlying motivation seemed to come [unknowingly to most] from a hip-hop legend in Nas. He was the one who challenged current artist to go and get it, not to settle, record sales will always be but the artist who make the music, hip-hop in its purest, must devote and recognise the true potentials of voice and song.
So let’s not diss one of the fore-fathers of hip-hop.


MF, the multi-faced, mic-fiend, master-flows, mother-fuck, Metal Face Doom. To call the man with no-face the face off hip-hop would be wrong, not only for the obvious but it seems that popularised main stream acts need a face to represent their style. MF Doesn’t so believe, saying






